A familiar illustration of this organ is derived from a common occurrence in almost every market-town. Its contemplation, and a few recent incidents, suggest a query or two. A bull ran into a china shop, but instead of proceeding to the work of demolition, threw his eye around the place, thrust his horn under the arm of a richly painted vase, and ran briskly into the street with his prize. Was this act ascribable to the organ of “colour,” or that of “covetiveness?” An ox walked into a well-furnished parlour, and withdrew without doing further mischief than ogling himself in the looking-glass. Were these “stolen” looks occasioned by “covetiveness,” or “self-love?” Another of the bos tribe rapidly passed men, women, and children, ran up the steps to an open street door, hurried through the passage, ascended every flight of the stair-case, nor stopped till he had gained the front attic, from whence he put his head through the window, and looked down from his proud eminence, over the parapet, upon his “followers.” On this third example may be quoted what Mr. Cruikshank says of another organ, “Inhabitiveness. To this organ is ascribed, in man, Self Love, and in other animals, Physical height. The artist has endeavoured to give his idea of inhabitiveness in plate 2.” On comparing the anecdote last related, with the artist’s idea in the plate he refers to, it is clear that, on this occasion, his view might have been more elevated. In the last-mentioned bull, “Inhabitiveness” seems to have been the prevailing organ. Separately considering the three animals, and their general character, and the tempting objects by which each was surrounded, without their manifestation of any action to denote the existence of “destructiveness,” a question arises, whether counteracting organs may not be cultivated in such animals, to the extent of neutralizing the primary developement.

Vi--Destructiveness Monologue from Every Man in His Humour

Rehearse Vi--Destructiveness's monologue