At present, nowhere, except as a memory and an ideal. (Savoyard inclines his head respectfully to the ideal). But I am by no means an idealogue. I am not content with beautiful dreams: I want beautiful realities. (SAVOYARD: Hear, hear! I'm all with you there--when you can get them.) Why not get them? The difficulty is not that there are no beautiful realities, Mr Savoyard: the difficulty is that so few of us know them when we see them. We have inherited from the past a vast treasure of beauty--of imperishable masterpieces of poetry, of painting, of sculpture, of architecture, of music, of exquisite fashions in dress, in furniture, in domestic decoration. We can contemplate these treasures. We can reproduce many of them. We can buy a few inimitable originals. We can shut out the nineteenth century-- (SAVOYARD: The twentieth.) To me the century I shut out will always be the nineteenth century, just as your national anthem will always be God Save the Queen, no matter how many kings may succeed. I found England befouled with industrialism: well, I did what Byron did: I simply refused to live in it. You remember Byron's words: "I am sure my bones would not rest in an English grave, or my clay mix with the earth of that country. I believe the thought would drive me mad on my deathbed could I suppose that any of my friends would be base enough to convey my carcase back to her soil. I would not even feed her worms if I could help it."

The Count Monologue from Fanny's First Play

Rehearse The Count's monologue