The marriage dress of high-born females described in the sixth act is well worthy of our observation. It consisted of a corset of white silk and a fine red upper garment, besides the usual lower dress, ornaments, and a chaplet of flowers. It has received several modifications since the days of Bhavabhuti. The sacrifice of good-looking girls, alluded to in the fifth act, was common in his time and other authors allude to it. The seventh story of Dasakumar Charita is just like it, when a prince rescues a princess from a similar Sanyasi and afterwards marries her. The story of "Malati and Madhava" is one of pure invention. The manners described are purely Hindu without any foreign admixture. The appearance of women of rank in public, and their exemption from any personal restraint in their own habitations, are very incompatible with the presence of Muhammedan rulers. The licensed existence of Buddha ascetics, their access to the great, and their employment as teachers of science, are other peculiarities characteristic of an early date; whilst the worship of Siva in his terrific forms, and the prevalance of the practices of the Yoga, are indications of a similar tendency.

Malati-Madhava Monologue from Tales from the Hindu Dramatists

Rehearse Malati-Madhava's monologue