From The Bride of Messina, and On the Use of the Chorus in Tragedy by Friedrich Schiller

I tore myself Reluctant from her arms; my every thought Shall still be hers: so come along, my friends, To where the turbaned merchant spreads his store Of fabrics golden wrought with curious art; And all the gathered wealth of eastern climes. First choose the well-formed sandals--meet to guard And grace her delicate feet; then for her robe The tissue, pure as Etna's snow that lies Nearest the sun-light as the wreathy mist At summer dawn--so playful let it float About her airy limbs. A girdle next, Purple with gold embroidered o'er, to bind With witching grace the tunic that confines Her bosom's swelling charms: of silk the mantle, Gorgeous with like empurpled hues, and fixed With clasp of gold--remember, too, the bracelets To gird her beauteous arms; nor leave the treasure Of ocean's pearly deeps and coral caves. About her locks entwine a diadem Of purest gems--the ruby's fiery glow Commingling with the emerald's green. A veil, From her tiara pendent to her feet, Like a bright fleecy cloud shall circle round Her slender form; and let a myrtle wreath Crown the enchanting whole! Chorus (CAJETAN). We haste, my prince. Amid the Bazar's glittering rows, to cull Each rich adornment.

Don Manuel Monologue from The Bride of Messina, and On the Use of the Chorus in Tragedy

Rehearse Don Manuel's monologue