My brother is the very counterpart and reverse of me: I am gay, he is grave; I am airy, he is solid; I am ever selecting the most pleasing objects for my laughter, he has a tear for every pitiful one. And thus, whilst he is plucking the briars and thorns from the path of the unfortunate, I am strewing my own path with roses. (LETITIA: My sweet friend, not quite so poetical, and a little more particular.) Hands off, Letitia. I feel the rage of simile upon me; I can't talk to you in any other way. My brother has a heart replete with the noblest sentiments, but then, it is like--it is like--Oh! you provoking girl, you have deranged all my ideas--it is like--Oh! I have it--his heart is like an old maiden lady's band-box; it contains many costly things, arranged with the most scrupulous nicety, yet the misfortune is that they are too delicate, costly, and antiquated for common use. (LETITIA: By what I can pick out of your flowery description, your brother is no beau.) No, indeed; he makes no pretension to the character. He'd ride, or rather fly, an hundred miles to relieve a distressed object, or to do a gallant act in the service of his country; but, should you drop your fan or bouquet in his presence, it is ten to one that some beau at the farther end of the room would have the honour of presenting it to you before he had observed that it fell. I'll tell you one of his antiquated, anti-gallant notions. He said once in my presence, in a room full of company,--would you believe it?--in a large circle of ladies, that the best evidence a gentleman could give a young lady of his respect and affection was to endeavour in a friendly manner to rectify her foibles. I protest I was crimson to the eyes, upon reflecting that I was known as his sister.

Charlotte Monologue from The Contrast

Rehearse Charlotte's monologue